Statements (314)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:album
gptkb:film gptkb:original_score |
| gptkbp:album |
Limited edition vinyl
|
| gptkbp:artist |
gptkb:Hugh_Mc_Donald
gptkb:Koffee |
| gptkbp:associated_with |
gptkb:New_York_Mets
|
| gptkbp:audience |
Popular among audiences.
|
| gptkbp:based_on |
original story by Blake Edwards
|
| gptkbp:box_office |
$40 million
$73 million 36 million USD |
| gptkbp:budget |
gptkb:$5_million
$7 million 7 million USD |
| gptkbp:character |
gptkb:Bob
gptkb:George_Webber gptkb:Dr._H._W._Hargrove gptkb:David gptkb:Diana gptkb:Cynthia Jenny Miles Mrs. Webber Bo Derek's character Dudley Moore's character |
| gptkbp:character_development |
George Webber's journey of self-discovery.
|
| gptkbp:chart_performance |
Top 10 in Sweden
|
| gptkbp:cinematography |
gptkb:Charles_Lang
gptkb:Charles_Rosher |
| gptkbp:country |
gptkb:United_States
|
| gptkbp:cover_art |
10_cover.jpg
|
| gptkbp:critical_reception |
Mixed reviews
Positive reviews mixed reviews Mixed reviews from critics. |
| gptkbp:cultural_impact |
Iconic status in pop culture.
Influenced perceptions of beauty in the 1970s Influenced the portrayal of romantic relationships in cinema. popularized the term '10' as a rating. |
| gptkbp:cultural_references |
Referenced in various media
Referenced in various TV shows. often referenced in pop culture. |
| gptkbp:directed_by |
gptkb:Blake_Edwards
|
| gptkbp:director |
gptkb:Blake_Edwards
|
| gptkbp:distributor |
gptkb:Columbia_Pictures
|
| gptkbp:editing |
gptkb:Robert_C._Jones
|
| gptkbp:famous_quote |
' I want to be with you.'
" I’m not a kid anymore." |
| gptkbp:fan_favorite |
gptkb:Yes
|
| gptkbp:features |
a love triangle
|
| gptkbp:filming_location |
gptkb:California
gptkb:Los_Angeles gptkb:Mexico gptkb:Santa_Monica |
| gptkbp:followed_by |
gptkb:10:_The_Movie
|
| gptkbp:follows |
gptkb:George_Webber
|
| gptkbp:genre |
gptkb:comedy
gptkb:jazz gptkb:rock gptkb:romantic_comedy Reggae |
| gptkbp:has_cameo |
gptkb:John_Cleese
gptkb:Robert_Wagner Dudley Moore's character's friend |
| gptkbp:has_cultural_impact |
referenced in popular media
noted for its performances inspired other romantic comedies influenced comedic styles noted for its character development noted for its cinematography noted for its dialogue noted for its editing style noted for its themes of understanding and misunderstanding noted for its costume design noted for its dramatic moments noted for its humor style noted for its iconic scenes noted for its memorable quotes noted for its music score noted for its narrative structure noted for its pacing noted for its production design noted for its romantic elements noted for its themes of acceptance and rejection noted for its themes of adventure noted for its themes of ambition noted for its themes of aspirations noted for its themes of belonging and isolation noted for its themes of bravery noted for its themes of change noted for its themes of conflict noted for its themes of courage noted for its themes of culture noted for its themes of desire noted for its themes of dreams noted for its themes of empathy and apathy noted for its themes of exploration noted for its themes of failure noted for its themes of faith and doubt noted for its themes of family noted for its themes of friendship noted for its themes of fulfillment noted for its themes of generosity and selfishness noted for its themes of good and evil noted for its themes of gratitude and resentment noted for its themes of happiness noted for its themes of harmony and discord noted for its themes of hope noted for its themes of hope and despair noted for its themes of identity noted for its themes of joy and pain noted for its themes of joy and sorrow noted for its themes of kindness and cruelty noted for its themes of laughter and tears noted for its themes of life and death noted for its themes of light and darkness noted for its themes of love noted for its themes of love and friendship noted for its themes of love and hate noted for its themes of love and loss noted for its themes of love and loss. noted for its themes of loyalty and betrayal noted for its themes of nostalgia noted for its themes of past and future noted for its themes of peace and conflict noted for its themes of perseverance noted for its themes of personal growth noted for its themes of reality and fantasy noted for its themes of regret noted for its themes of resilience noted for its themes of resolution noted for its themes of right and wrong noted for its themes of sadness noted for its themes of self-acceptance noted for its themes of society noted for its themes of strength noted for its themes of success noted for its themes of transformation noted for its themes of trust and distrust noted for its themes of truth and lies noted for its themes of unity and division noted for its themes of vulnerability noted for its themes of connection and disconnection noted for its themes of compassion and indifference |
| gptkbp:has_sequel |
gptkb:None
|
| gptkbp:has_theme |
gptkb:infidelity
self-discovery romantic pursuit |
| gptkbp:home_media_release |
gptkb:Blu-ray
gptkb:DVD DVD release in 2001 Blu-ray release in 2010 |
| https://www.w3.org/2000/01/rdf-schema#label |
10
|
| gptkbp:influenced |
Subsequent romantic comedies.
Romantic comedies of the 1980s Sex comedies of the 1980s the portrayal of women in film. Fashion trends of the late 1970s. Film industry standards for romantic comedies. many romantic comedies. the character archetypes in romantic comedies. the comedic timing in romantic films. the depiction of relationships in film. the genre of romantic comedies. the narrative structure of romantic comedies. the portrayal of love interests. the portrayal of male characters in film. the use of humor in romantic films. the use of montage in romantic films. the use of music in romantic comedies. the use of voiceover in romantic comedies. |
| gptkbp:influenced_by |
gptkb:Annie_Hall
gptkb:The_Graduate Sexual revolution of the 1970s. the 1970s culture |
| gptkbp:inspiration |
Based on the concept of midlife crisis.
Blake Edwards' own experiences. |
| gptkbp:is_associated_with |
gptkb:ice_hockey
|
| gptkbp:is_part_of |
gptkb:Carolina_Hurricanes
New York Mets history |
| gptkbp:is_represented_in |
player jersey number
|
| gptkbp:is_used_in |
gptkb:NHL
New York Mets statistics |
| gptkbp:label |
gptkb:Curb_Records
gptkb:Real_Group_Records gptkb:Promised_Land_Records |
| gptkbp:language |
English
|
| gptkbp:legacy |
considered a classic romantic comedy.
Considered a classic romantic comedy. |
| gptkbp:length |
45 minutes
31 minutes |
| gptkbp:lyrical_themes |
gptkb:Hope
gptkb:Loss gptkb:Love Life |
| gptkbp:music_by |
gptkb:Henry_Mancini
|
| gptkbp:music_composer |
gptkb:Henry_Mancini
|
| gptkbp:next_album |
The Real Group's 2012 album
|
| gptkbp:notable_aspect |
Bo Derek's iconic appearance
|
| gptkbp:notable_awards |
gptkb:Golden_Globe_Award_for_Best_Motion_Picture_–_Musical_or_Comedy
Academy Award nomination for Best Original Score |
| gptkbp:notable_for |
its comedic elements
its exploration of relationships |
| gptkbp:notable_quote |
" I can't believe it!"
|
| gptkbp:notable_scene |
The birthday party scene.
the final scene. The beach scene with Bo Derek. The final confrontation scene. The hotel room scene. the party scene. the beach scene. the hotel scene. |
| gptkbp:notable_track |
gptkb:The_Last_Goodbye
gptkb:Long_Way_Home gptkb:I_Can't_Help_Myself Love Is a River |
| gptkbp:notable_tracks |
gptkb:Hallelujah
gptkb:West_Indies gptkb:Somebody_to_Love gptkb:The_Lion_Sleeps_Tonight gptkb:Ain't_No_Sunshine Gifted Pressure |
| gptkbp:parody |
Various comedy shows
Parodied in comedy sketches. parodied in various shows. |
| gptkbp:plot |
A man in his 40s becomes infatuated with a young woman.
A man becomes infatuated with a beautiful woman. |
| gptkbp:previous_album |
The Real Group's 2008 album
|
| gptkbp:produced_by |
gptkb:Blake_Edwards
|
| gptkbp:producer |
gptkb:The_Real_Group
|
| gptkbp:production_company |
gptkb:The_Ladd_Company
|
| gptkbp:received |
mixed reviews
|
| gptkbp:recording_location |
Studio 54, Stockholm
|
| gptkbp:release_date |
gptkb:1979
gptkb:2010 June 20, 1979 |
| gptkbp:release_format |
Theatrical release
|
| gptkbp:release_year |
gptkb:1979
gptkb:1994 gptkb:2021 |
| gptkbp:released |
Available on streaming platforms
|
| gptkbp:released_by |
gptkb:The_Real_Group
|
| gptkbp:released_in |
gptkb:1979
|
| gptkbp:remake |
gptkb:None
10: The Movie (2019) 10: The Movie (2008) |
| gptkbp:represents |
the number of championships won by the New York Mets
|
| gptkbp:runtime |
92 minutes
|
| gptkbp:screenplay |
gptkb:Blake_Edwards
|
| gptkbp:screenplay_by |
gptkb:Blake_Edwards
gptkb:Garry_Marshall |
| gptkbp:sequel |
gptkb:None
|
| gptkbp:set_in |
gptkb:Los_Angeles
|
| gptkbp:setting |
gptkb:California
gptkb:Los_Angeles |
| gptkbp:soundtrack |
released on vinyl
Released as an album. released on CD Released as an album |
| gptkbp:starring |
gptkb:Dee_Wallace
gptkb:Julie_Andrews gptkb:Dudley_Moore gptkb:Bo_Derek |
| gptkbp:theme |
comedy of errors
midlife crisis romantic pursuit Love and relationships. infatuation Aging and youth. Desire and infatuation. Fantasy vs. reality. |
| gptkbp:track_count |
gptkb:10
|
| gptkbp:won_award |
gptkb:1
gptkb:Academy_Award_for_Best_Original_Score |
| gptkbp:bfsParent |
gptkb:Barbra_Joan_Streisand
gptkb:Beyonce gptkb:Billie_Jean_King gptkb:Canada gptkb:Chaka_Khan gptkb:Charles_Darwin gptkb:Environmental_Protection_Agency gptkb:Europe gptkb:Female gptkb:France gptkb:Germany gptkb:History gptkb:Italy gptkb:Janet_Jackson gptkb:Japan gptkb:Jennifer_Lynn_Lopez gptkb:John_Lewis gptkb:Kareem_Abdul-Jabbar gptkb:Katy_Perry gptkb:League_of_Nations gptkb:Management gptkb:Metroplex gptkb:Michael_Jordan gptkb:Nicki_Minaj gptkb:Post_Malone gptkb:The_Dream gptkb:The_Invisible_Man gptkb:The_National_Cathedral gptkb:Whitney_Houston gptkb:Yes gptkb:historians gptkb:video_games gptkb:war gptkb:Darwin gptkb:William_H._Harrison gptkb:Yogi_Berra gptkb:A_Boogie_Wit_Da_Hoodie gptkb:The_Washington_National_Cathedral |
| gptkbp:bfsLayer |
3
|